June 21st, 2006, saw the birth, in Paris, of the Quai Branly Museum. This brand new Seine-side institution houses the national collections from Africa, Oceania, the Americas, and part of Asia. Some of the ensembles–treasures, no less–have been in Parisian collections for several centuries. The opening of this museum has, once more, bestirred the issue–the quarrel–of how we, in the West, approach the “primitive arts”, so-called. On this subject there has been many a publication, ranging from s..
This short piece investigates how “art” and “ethnography” have developed as two separated practices ...
Museums and Extra-Europeans Collections. An Interview with Emmanuel Désveaux, Maurice Godelier, Moni...
‘It’s hard to like Baudelaire.’ We were looking at an exhibition. In glass cases, there were copies ...
In 1989, Magiciens de la terre was introduced as the “first truly international exhibition, bringing...
L’Art contemporain et la Côte d’Azur: this title might be somewhat perplexing, were it not embellish...
At the 42nd Venice Biennale (1986), Adalgisa Lugli organized a contemporary art exhibition titled Wu...
Version n'intégrant pas les dernières corrections.International audienceThe Quai Branly Museum is de...
This thesis investigates the braid of exotic elements presented in Joseph Gilliers’s Le Cannaméliste...
From “arts méconnus” to “arts premiers” : Processes of Inclusion and Exclusion in Anthropology and A...
It is in the nature of histories of modern and contemporary art to be regularly rewritten, and their...
The works of art from other civilizations, the «primitive arts » from the past till today, have only...
While the current day and age marked by a booming globalization is ceaselessly calling for an expans...
Up until now we have been missing a comprehensive study of postwar French art criticism that has vie...
Questa breve nota critica investiga come “arte” e “etnografia” si siano sviluppate negli ultimi diec...
The focus of this exhibition is to illustrate the evolution of rococo ornament in France across a wi...
This short piece investigates how “art” and “ethnography” have developed as two separated practices ...
Museums and Extra-Europeans Collections. An Interview with Emmanuel Désveaux, Maurice Godelier, Moni...
‘It’s hard to like Baudelaire.’ We were looking at an exhibition. In glass cases, there were copies ...
In 1989, Magiciens de la terre was introduced as the “first truly international exhibition, bringing...
L’Art contemporain et la Côte d’Azur: this title might be somewhat perplexing, were it not embellish...
At the 42nd Venice Biennale (1986), Adalgisa Lugli organized a contemporary art exhibition titled Wu...
Version n'intégrant pas les dernières corrections.International audienceThe Quai Branly Museum is de...
This thesis investigates the braid of exotic elements presented in Joseph Gilliers’s Le Cannaméliste...
From “arts méconnus” to “arts premiers” : Processes of Inclusion and Exclusion in Anthropology and A...
It is in the nature of histories of modern and contemporary art to be regularly rewritten, and their...
The works of art from other civilizations, the «primitive arts » from the past till today, have only...
While the current day and age marked by a booming globalization is ceaselessly calling for an expans...
Up until now we have been missing a comprehensive study of postwar French art criticism that has vie...
Questa breve nota critica investiga come “arte” e “etnografia” si siano sviluppate negli ultimi diec...
The focus of this exhibition is to illustrate the evolution of rococo ornament in France across a wi...
This short piece investigates how “art” and “ethnography” have developed as two separated practices ...
Museums and Extra-Europeans Collections. An Interview with Emmanuel Désveaux, Maurice Godelier, Moni...
‘It’s hard to like Baudelaire.’ We were looking at an exhibition. In glass cases, there were copies ...